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Canadian Films at 25th Hot Docs

Canadian Films at 25th Hot Docs

Canadian Films at Hot Docs
by Staff

(April 18, 2018 – Toronto, ON) We’re only eight days away from the 25th anniversary edition of the Hot Docs Canadian International Documentary Film Festival. Because of who we are we and the audience we serve, each year around this time we focus on the Canadian films screening at North America’s largest and most important documentary festival. As we have in past years we again praise the festival for maintaining a Canadian section. It’s called Canadian Spectrum and this year it features 17 Canadian feature-length docs, a shorts program with four films in it and five other shorts that will screen with some of the features. But that’s just within the Spectrum program. There is a large number of other Canadian films throughout the festival.

For example, when Hot Docs kicks off on Thursday April 26th, it will be with the World Premiere of the Canadian film The Heat: A Kitchen (R)Evolution. This 75-minute film is the latest from Hot Docs veteran Maya Gallus and is in a section of the festival called Special Presentations. Gallus is a highly talented filmmaker with a string of successes. She won a Gemini Award for Best Direction in a Documentary for her 2007 feature-length film, Girl Inside. It premiered at Hot Docs, launched the 2007 season of The View From Here on TVO and played at festivals worldwide. Her provocative feature-length documentary Erotica: A Journey Into Female Sexuality, premiered at the Toronto International Film Festival and was nominated for a Genie for Best Feature-Length Documentary and for Best Arts Documentary at Hot Docs. The film screened theatrically in Toronto, San Francisco, San Sebastian and Tokyo and was broadcast in Canada, the U.S. and internationally. Her 1991 film, Elizabeth Smart: On The Side of the Angels, which she co-produced, directed and wrote, premiered at the Montreal World Film Festival, and screened at the Toronto International Film Festival. The 60 minute dramatic retelling of the life of the real Elizabeth Smart starred Jackie Burroughs.

The Heat: A Kitchen (R)Evolution focuses on the changing makeup of restaurant kitchens. Once, almost exclusively the territory of the brutal and bullying male chef, The Heat: A Kitchen (R)Evolution takes viewers behind-the-scenes to meet a few of the pioneers who have broke through the glass ceiling, including Anne Sophie Pic of Maison Pic in Valence, France – the only three-Michelin starred female chef in France and one of only a handful in the world, she has been dubbed “the “Queen of French Cuisine”; Angela Hartnett of Murano in London – a beloved UK star and two-Michelin starred chef who survived Gordon Ramsay’s kitchens to become his first female protége; Iron Chef and Top Chef Master Anita Lo, – she led the first all female team to beat an Iron Chef in the U.S. and closes her beloved Greenwich Village restaurant Annisa, after 17 years.

The film also introduces us to the new generation, including award-winning chef and media darling Amanda Cohen of the trendy vegetarian restaurant, Dirt Candy in New York’s Lower East Side; rising star Victoria Blamey, who received critical accolades for her culinary skills at the famed Greenwich Village Chumley’s in New York; Toronto favourite Suzanne Barr of Saturday Dinette, The Gladstone and Kid Chocolate, who is diversifying kitchens one restaurant at a time; renegade Toronto chef Charlotte Langley, who has done away with traditional brick and mortar to host elaborate dinners off the grid, as well as Toronto writer/former line cook Ivy Knight on why she left the industry. Maya Gallus and special guests from the film will be on hand following the Opening Night screening to take part in a Q&A at the Hot Docs Cinema.

The Heat: A Kitchen (R)Evolution will also screen on Saturday, April 28 and Sunday, May 6.

There are 38 films in the Special Presentations section, eight of them are Canadian, including the World Premiere of The Trolley, which we have already covered, and a 25th Anniversary screening of Alanis Obomsawin’s Kanesatake: 270 Years of Resistance. The Trolley has one screening only at the Cinesphere at Ontario Place. Kanesatake: 270 Years of Resistance also has only one screening on Saturday, May 5 at the TIFF Bell Lightbox. In late-breaking news, Hot Docs added the World Premiere of Barry Avrich’s The Reckoning: Hollywood’s Worst Kept Secret to its Special Presentations section.

Just a few highlights from The Canadian Spectrum include the World Premiere of a truly frightening documentary titled The Guardians. Set in the US city of Las Vegas, Toronto filmmaker Billie Mintz delves into the legalized seizure of property, money, bank accounts, wills, in fact the very lives of older people who are hospitalized against their wishes or need in a scheme that is in every way a scam. As one participant in the film states, “If you’re going to retire, do not move to Las Vegas.” At 104 minutes it’s a long film but compelling filmmaking and well worth the time.

OMNI: An Act Against Gravity is a quirky delight. The 80-minute doc looks at the efforts of a young Montreal engineer and inventor to create a fully operational hoverboard. The expression “nothing is easy” comes to mind and this film proves that. It also proves that patience and perseverance pay off.

Anyone who has driven through or flown over the various mountain ranges known collectively as The Rockies inevitably thinks “how did the first peoples and later explorers ever make it through this impossible and beautiful terrain?” This Mountain Life tracks the journey of a 60-year-old mother and her daughter as they spend six months trekking through the Rockies in a 77-minute film from director Grant Baldwin.

Canadian Films at 25th Hot Docs
Canadian filmmaker John Walker is the subject of a special Focus at this year’s Hot Docs. We had the pleasure of interviewing Walker in 2016 when his film Quebec My Country Mon Pays screened at the festival. This year he has five of his films screening in the Focus feature. All but one will screen at the TIFF Bell Lightbox. On May 1 it’s his 1989 film Strand: Under the Dark Cloth about renowned photographer Paul Strand. On May 2nd, A Drummer’s Dream will screen at the Scotiabank Theatre. On May 3rd Passage and on May 5th both The Fairy Faith and Men of the Deeps. Walker is one of the best documentarians this country has produced and you should make an effort to see at least one of the films in this important retrospective.

One of the films in Artscape is Canadian. It’s about legendary Canadian rocker Randy Bachman and is titled simply enough, Bachman.

Three of the six films in the Virtual Realty and Interactive section of the festival are Canadian. Anote’s Ark, Holy City VR and Living with Jaguars VR.

There is so much to see and every film on the schedule worthy of your time and attention. As we wrote last month, “This year’s slate of films was gleaned from 3059 submissions, resulting in a schedule of 246 films and 16 interdisciplinary projects from 56 countries in 14 screening programs. Organizers can be justifiably proud of the announcement that female filmmakers represent 50 per cent of the 2018 program.”

The 25th anniversary Hot Docs runs from April 26 to May 6. Enjoy. Click here for more information.

NFB at Cannes

(April 17, 2018 – Montréal, Québec) The National Film Board of Canada (NFB) returns to Cannes for the second year in a row, this time with Patrick Bouchard’s animated short The Subject. Produced by Julie Roy, the film has been selected to screen in the 50th-anniversary edition of the Directors’ Fortnight, a section organized by the French Directors’ Guild and held in parallel with the Cannes Film Festival. This year’s Directors’ Fortnight takes place from May 9–19. The Subject is the first of Bouchard’s films to have made the cut of this international lineup. After Cannes, it will go on to screen in competition at the Annecy International Animation Film Festival, which runs from June 11–16.

With The Subject, for which he also wrote the soundtrack, stop-motion master Patrick Bouchard (Bydlo, Dehors novembre, The Brainwashers, Subservience) has created his most intimate work to date. In the 10 minute film, an animator dissects his own body, extracting memories, emotions and fears that will nurture his work. As he cuts into his skin, various symbolic objects recalling his past emerge. Reaching the heart, he succeeds in identifying the burden he’s been dying to cast off.

Bouchard took charge of every aspect of the creative process for this rich, constructive, and creative experience—from inception to post-production, up to and including the film poster. Sets and props by Dany Boivin; offline editing by Sacha Ratcliffe and Theodore Ushev; sound design by Olivier Calvert.

 
“The NFB has always played a leading role in the production of animated films, both in Canada and internationally,” said Claude Joli-Coeur, Government Film Commissioner and NFB Chairperson. “This one-of-a-kind creative centre has nurtured countless filmmakers and contributed to some of the major developments in the format. Being selected for the Directors’ Fortnight attests to the creative strength of our animation studios. Congratulations to Patrick Bouchard and the whole team!”

 
“Patrick Bouchard’s The Subject perfectly encapsulates production at the NFB’s animation studios,” said Julie Roy, Executive Producer, French Animation Studio, NFB. “Supporting an author (in this case, for the fifth time) by placing our full trust in him and giving him free rein in terms of the creative process—as it turned out, a process as risky as it was out of the ordinary—has resulted in a work that pushes the boundaries of animated cinema. We are very gratified that the Directors’ Fortnight recognizes the value of such a process.”

Andrew Lockington

Andrew Lockington, film, composer,

B: January 31, 1974 in Burlington, Ontario

Andrew Lockington has scored the music for more than 40 television shows, made-for-TV movies and feature films including blockbusters like San Andreas that generated close to $475 million U.S. worldwide, the Golden Globe nominated Frankie and Alice starring Halle Berry, and the Fox film Rampage starring Dwayne (The Rock) Johnson and directed by fellow Canadian Brad Peyton. He also worked with Peyton on the Netflix Canadian series Frontier. In 2008, he was named the Breakthrough Composer of the Year through the International Film Music Critics Association (IFMCA) and was nominated for Discovery of the Year at the World Soundtrack Awards. Lockington wrote the music for the 2018 Warner Bros. release Rampage. Directed by Brad Peyton Rampage stars Dwayne Johnson as primatologist Davis Okoye, a man who keeps people at a distance but shares an unshakable bond with George, the extraordinarily intelligent, incredibly rare albino silverback gorilla. Naomie Harris and Malin Akerman costar. Click here to watch a trailer for Rampage, and be sure too listen to the music.

Features & TV Movies:
VR indicates Direct-to-Video Release

At the End of the Day: The Sue Rodriguez Story (TV-1998)

Xchange (2001)
Stranger Inside (TV-2001)
Long Life, Happiness & Prosperity (2002)
Fast Food High (2003)
Cosmopolitan (TV-2003)
Touch of Pink (2004)
Seed of a Thought (2004, short)
Saint Ralph (2004)
Cake (2005)
One Dead Indian (TV-2006)
Skinwalkers (2006)
The House Next Door (TV-2006)
How She Move (2007)
Left Coast (TV-2008)
Journey to the Center of the Earth (2008)
One Week (2008)
City of Ember (2008)
Deadliest Sea (TV-2009)

Frankie & Alice (2010)
Beat the World (2011)
Journey 2: The Mysterious Island (2012)
I’ll Follow You Down (2013)
Percy Jackson: Sea of Monsters (2013)
Siddharth (2013)
Pirate’s Passage (TV-2015)
San Andreas (2015)
Incarnate (2016)
The Space Between Us (2017)
Meditation Park (2017)
Rampage (2018)
Time Freak (2018)

TV Series – at least 1 episode of:
1-800-Missing (2003-2006, 48 episodes)
Independent Lens (2004)
Sanctuary (2009-2011, 28 episodes)

Futurestates (2011)
Primeval: New World (2012-2013)
Aftermath (2016)
Frontier (2016-)

Rampage, movie, poster,

Sladen Peltier

Sladen Peltier, actor,
Photo of Sladen Peltier in Indian Horse courtesy of Elevation Pictures.

Sladen Peltier is based in Ottawa and is a proud Ojibway from Wikwemikong Unceded Indian Reserve located on Manitoulin Island in Northern Ontario. His initial interest in Indian Horse, which is his feature film debut, was due to the hockey storyline. Sladen has been playing hockey in Ottawa since he was four years of age, and every March represents his First Nation in the Little Native Hockey League Tournament, which brings together First Nation hockey players from across Ontario.

Features & TV Movies:
VR indicates Direct-to-Video Release

Indian Horse (2017)

Indian Horse, movie, poster,

Indian Horse

101 minutes – Drama
Release date: April 13, 2018
Canadian distributor: Elevation Pictures

Based on Richard Wagamese’s award winning novel, Indian Horse sheds light on the dark history of Canada’s Residential Schools and the indomitable spirit of Indigenous people. Starring Canadian newcomers Sladen Peltier, Ajuawak Kapashesit and Edna Manitouwabe as well as Forrest Goodluck (The Revenant), Michael Murphy (Away From Her), Michael Lawrenchuck (Tokyo Cowboy), Johnny Issaluk (Two Lovers And A Bear) and Michiel Husiman (The Age Of Adaline), Indian Horse is set in Ontario in the late 1950s. Eight-year-old Saul Indian Horse is torn from his Ojibway (Anishnaabe) family and committed to one of Canada’s notorious Catholic Residential Schools. In this oppressive environment, Saul is denied the freedom to speak his language or embrace his Indigenous heritage while he witnesses horrendous abuse at the hands of the very people entrusted with his care. Despite this, Saul finds salvation in the unlikeliest of places and favourite Canadian pastime – hockey. Fascinated by the game, he secretly teaches himself to play, developing a unique and rare skill. He seems to see the game in a way no other player can. His talent leads him away from the misery of the school, eventually leading him to the Pros. But the ghosts of Saul’s past are always present, and threaten to derail his promising career and future. Forced to confront his painful past, Saul draws on the spirit of his ancestors and the understanding of his friends to begin the process of healing.

Indian Horse, movie, poster,

Crew:

Producer:

Paula Devonshire
Trish Dolman
Roger Frappier
Christine Haebler

Executive Producer:

Stephen S.Campanelli
Brent Disbrow
Fei Disbrow
Marna Disbrow
Robert Disbrow
Clint Eastwood
Roger Frappier
Aaron L. Gilbert
Adrian Love
Laurie May

Co-Producer:

Tex Antonucci
Jim Brebner

Line Producer:

Justin Kelly

Director:

Stephen S.Campanelli

Screenwriter:

Dennis Foon

Cinematographer:

Yves Bélanger

Editor:

Jamie Alain
Geoff Ashenhurst
Justin Li

Composer:

Jesse Zubot

Production Designer:

Oleg M. Savytski

Art Director:

Shelley Silverman

Costume Designer:

Aline Gilmore

Cast: Roles:

Sladen Peltier
Forrest Goodluck
Ajuawak Kapashesit
Michiel Huisman
Martin Donovan
Michael Murphy
Edna Manitowabi
Melanie McLaren
Johnny Issaluk
Skye Pelletier
Evan Adams
Lisa Cromarty
Michael Lawrenchuk
Will Strongheart
Tristen Marty-Pahtaykan
Vance Banzo
Braeden Crouse
Nathan Alexis
Eva Greyeyes
Lisa Oopik Minich
Dylan Cook
Wayne St-George
Marcus Dias
Michael Vincent Dagostino
Wayne V. Johnson
Wayne Charles Baker

Saul (6 Yrs.)
Saul (15 Yrs.)
Saul (22 Yrs.)
Father Gaston
Jack Lanahan
Father Quinney
Naomi
Ruth
Sam
Benjamin (11 Yrs.)
Evan
Karen
Fred Kelly
Virgil
Buddy Blackwolf
Ernie Jack
Lonnie (9 Yrs.)
Lonnie (25 Yrs.)
Rebecca Wolf
Katherine Wolf
Stu Little Chief
Man with Axe Handle
Working Man
Doctor
Kapuskasing Manager
Shaboogesick

Rick Mercer Signs Off

Rick Mercer Signs Off
Rick Mercer at the 2017 Canadian Screen Awards. Photo by R.A.Lucas

Rick Mercer Signs Off
by Staff

(April 10, 2018 – Toronto, ON) When tonight’s special hour-long episode of The Rick Mercer Report fades to black, it will mark the end of a remarkable 15-season run, more than 275 episodes of one of the most popular shows on television. Think about that. The show made its debut in 2004, and through the magic of television loyal fans have been able to travel across the country several times visiting both large cities and quiet corners of this vast nation.

“It’s been the best job ever hands down,” said Mercer. “I loved every minute of it. We had one goal in mind when we started this show and that was to explore and celebrate Canada every single week.  When you love your subject matter that is an easy thing to do.”


Tonight he wraps things up by taking a look back at some of the most memorable moments of his adventures across Canada. Highlights include clips from his visits with the many Canadians who’ve shared their work place expertise with him and a look back at a few of the very special guests who showed up on the show. He also reviews some of his most daring feats, the show’s funniest sketches, his training sessions with Paralympic athletes, and one final rant.

“Thank you to Rick, Gerald and the entire team for making The Rick Mercer Report a tremendous and enduring success for 15 seasons,” said Heather Conway, Executive Vice-President, English Services, CBC. “Rick has built an incredible legacy by creating a space for communities across the country to share their stories through his unparalleled wit and compassion; it has brought us all closer together as a nation.” 

Rick Mercer began his career in comedy performing and writing in his hometown St. John’s, Newfoundland with a series of one-man stage shows. In 1993, he launched his television career on CBC as one of the creators, performers and writers on the hit topical weekly show This Hour Has 22 Minutes. In 1998, he joined Gerald Lunz and Michael Donovan to create the satirical dramatic series Made In Canada, where he again starred and contributed as a writer. In 2001, his CBC special Talking To Americans became the highest-rated Canadian comedy special ever with 2.7 million viewers.

On July 1, 2014, it was announced that Rick Mercer had been made an Officer of the Order of Canada and he was inducted at a ceremony at Rideau Hall in September 2015. This past Canada Day, Mercer hosted the three-hour CBC special Canada Day 150! At last month’s 2018 Canadian Screen Awards, The Rick Mercer Report was presented with the Academy Icon Award. IN 2009 the series won the prestigious Golden Rose Award for ‘best comedy’ at the 2009 international Rose d’Or Television Festival in Lucerne, Switzerland.

The Rick Mercer Report airs tonight, April 10 at 8 p.m. ET (8:30 NT) on CBC.

Jessica Vano

Jessica Vano, actress,

Features & TV Movies:
VR indicates Direct-to-Video Release

Berkshire County (2014)
Deadboy (2014, short)
The Demolisher (2015)
Aldrus (2015, short)

Samora Smallwood

Samora Smallwood, actress,

B: in St. John's, NL

Samora Gloria Smallwood may have been born in Newfoundland but her family moved to Windsor, Ontario when she was still a young girl. She received her B.A in Drama from the University of Windsor and now makes her home in Toronto.

Features & TV Movies:
VR indicates Direct-to-Video Release

Beneath Perception (2010, short)
On a Break (2011, short)
Club Utopia (2013)
Exigent (2013, short)
I Wish You Love (2014)
Berkshire County (2014)

TV Series – Guest appearances:
Karma’s a B*tch! (2013)
Murder in Paradise (2013)
Teenagers (2014)

Alysa King

Alysa King, actress,

Alysa King began appearing in front of the camera when she was just a child showing up in several nationwide commercials and magazines. When she had completed high school, she went on to post-secondary studies at Sheridan College, enrolling in the Theatre Arts program and graduating in 2005. She continued her education at Queen’s University in Kingston, graduating in 2009 with an honours degree in Dramatic Arts and English Literature and Language. She also went on to complete Teacher’s College in 2010.

Official website.

Features & TV Movies:
VR indicates Direct-to-Video Release

Consequences (2012)
The Misfortune of Madeline Moody (2014, Short)

Berkshire County (2014)
The Millennials (2015)
Holy Hell (2015)
Tale of Two Killers (2015, short)
Voyeur (2015)

TV Series – Guest appearanaces:
Motives & Murders: Cracking the Case (2012, 2014)

Web Series:
Asset: The Webseries (2014)

IMAX at Hot Docs

IMAX at Hot Docs, image,

IMAX at Hot Docs
by Ralph Lucas – Publisher

(April 9, 2018 – Toronto, ON) There are some people who you just know will follow in their father’s footsteps. It came as no surprise to anyone that the young Stephen Low would grow up to work in the film industry. His father was, after all, a renowned National Film Board animator, producer and director. During the 1960s, Colin Low helped develop revolutionary film formats and for Expo ’67 in Montréal, he co-directed In the Labyrinth, a film that used 35mm and 70mm film projected simultaneously on multiple screens, and which is considered the precursor of today’s IMAX and OMNIMAX formats. Over the course of his career he picked up over 100 international awards for his work. How could Stephen not be attracted to filmmaking.

Stephen Low has been highly successful in his own right. For example his 3D short The Last Buffalo was produced for the Suntory pavilion at Expo ’90 in Osaka, Japan and became one of the most popular attractions at the fair, drawing close to two million viewers over six months. The film was the second produced in the revolutionary 15/70 3D medium for IMAX 3D theatres.

His newest project, The Trolley, explores the power and potential of a once nearly forgotten piece of 19th century innovation and is the first IMAX film selected to screen at the Hot Docs Canadian International Documentary Film Festival.

It struck me as an interesting bit of timing. Here is this marvellous piece of film technology focused on a topic that dates back to the mid-1880s, and it was made at a time when, despite the obvious The Trolley, movie, IMAX, poster,attraction of seeing a movie on a GIANT screen, the invention of the smartphone with their tiny screens, seems to be the way most people now consume moving images. This growth, thanks in part to Vimeo or YouTube and a concerted effort by broadcasters to push their streaming services, now includes several films shot entirely on cellphones. Last year, for example, the Sundance hit Tangerine was shot on three iPhone 5s.

I turned to Hot Docs programmer Shane Smith to answer a few questions and he pointed out a few facts that helped him make the decision to select The Trolley. In addition to the film being largely focused on Toronto’s iconic streetcars, he reminded me that this is the festival’s 25th anniversary and with Toronto being home to the very first IMAX screen in Canada, it was a great opportunity to thank the people of Toronto for their support over the years. Cinesphere at Ontario Place opened on May 22, 1971 and recently went through an extensive renovation including the installation of the latest OMAX projection technologies.

The Trolley, narrated by Maurice Dean Wint, runs about 45 minutes and visits a number of cities around the world where streetcars are still in use and growing in popularity. Tracing the history of the trolley from its very beginning, the main thrust of the film is to bluntly remind viewers, and governments, that as climate change threatens to become more extreme here is a clean, pollution-free way to move huge numbers of people quickly and efficiently through cities old and new.

But what about IMAX in the era of the smartphone? “There’s no substitute for the cinematic experience,” said Shane Smith and he’s right. His decision was based in part on the film having “a great story” and the conviction that there will always be a place for “big stories on the big screen.”

When I suggested the cost of producing an IMAX film might ultimately be problematic, especially when compared to the cost of shooting on a cellphone, Smith pointed out that IMAX films often have extremely long runs in many of the IMAX theatres around the world. I immediately remembered the Toni Myers film A Beautiful Planet, which is still playing at the Ontario Science Centre. It opened on April 29, 2016.

Hot Docs runs from April 26 to May 6. The Trolley has one free screening at the Cinesphere at Ontario Place on Saturday, May 5. Click here for more information.

Also see: IMAX at 50.

Northernstars logo imageRalph Lucas is the founder and publisher of Northernstars.ca. He began writing about film and reviewing movies while in radio in Montreal in the mid-1970s.

Sebastian Pigott

Sebastian Pigott, actor, Canadian,
Photo by Indrek Mandmets.

B: February 14, 1983 in Toronto, Ontario

Sebastian Pigott attended the Etobicoke School of the Arts. In addition to acting, he enjoys writing music and screenplays.

Official website.

Features & TV Movies:
VR indicates Direct-to-Video Release

Two Days Till Tomorrow (2002)
The Poet (2007)
Roxy Hunter and the Mystery of the Moody Ghost (TV-2007)
Fire and Fury (2008, short)
The Morning Party (2008, short)
Deadliest Sea (TV-2009)

Saw 3D: The Final Chapter (2010)
Committed (TV-2011)
Family Man (2011)
Cinnamon Girl (TV-2013)
Poker Night (2013)
Victims (2013)
Pacific Rim (2013)
Killing Daddy (TV-2014)
Timber (2015, short)
Below Her Mouth (2016)
Mommy’s Little Boy (TV-2016)
Anon (2017)
Kodachrome (2017)
The New Romantic (2018)

TV Series – Cast:

Being Erica (2009-2011)

Bomb Girls (2012-2013)
Ascension (2014, mini-series)

TV Series – Guest appearances:
The Border (2008)
The Listener (2009)
Heartland (2009)

Cra$h & Burn (2010)
The Bridge (2010)
Haven (2010)
Murdoch Mysteries (2011)
Cracked (2013)
Darknet (2014)
Revenge (2015)
Rogue (2016)

Kodachrome, movie, poster,

The New Romantic, movie, poster,

Mark Raso

Mark Raso, director,

B: in Toronto, Ontario

Mark Raso attended the University of Toronto where he received a BA in English Literature and Cinema Studies. He went on to study directing and screenwriting at Columbia University where he received an MFA in film. While at Columbia, Raso wrote, directed, and produced a number of short films that culminated in winning the Gold Medal, the highest honour a student can receive, from the Student Academy Awards of the Motion Picture Arts and Sciences. His second feature, Kodachrome, enjoyed one of the biggest sales at the 2017 Toronto International Film Festival. Shot entirely on film stock it costars Jason Sudeikis, Elizabeth Olsen and Ed Harris in a touching road movie that doubles as an elegy for analog in the digital age. It will be released as a Netflix Original on April 20th, 2018.

Also see: Mark Raso talks about The Making of Kodachrome.

Features & TV Movies:
VR indicates Direct-to-Video Release

The Engagement Party (2006, short)
Tomorrow (2009, short)

Brand New Day (2010, short)
Grey (2010, short)
In for a Surprise (2010, short)
Under (2011, short)
Copenhagen (2014)
Kodachrome (2017)

Credits as a Screenwriter:
The Engagement Party (2006, short)
Tomorrow (2009, short)
Whales/Man (2009, short)

Brand New Day (2010, short)
Grey (2010, short)
In for a Surprise (2010, short)
Under (2011, short)
Copenhagen (2014)
Kodachrome (2017)
Tsuki (2017, short)

Jonathan Shatzky

Jonathan Shatzky, actor,

Features & TV Movies:
VR indicates Direct-to-Video Release

Imitation (2007)
Broken Tulips (2008, short)
Who Is KK Downey? (2008)

Francine (2012)
Allure (2017)

TV Series – Guest appearances:
Flashpoint (2009)

XIII: The Series (2011)
Lost Girl (2013)
Private Eyes (2017)
Suits (2017)

Allure, movie, poster,

Allure

Allure, movie, image, Evan Rachel Wood,
Evan Rachel Wood in Allure, an Entertainment One release.

105 minutes – Drama, Romance, Thriller
Festival release date: September 10, 2017 (TIFF)
Release date: April 6, 2018 (Toronto)
Canadian distributor: eOne Films

A thirty-year-old woman, troubled by her past and struggling with a dysfunctional relationship with her father, seeks sexual and emotional fulfillment through a series of failed relationships. However, her life changes when she befriends and convinces an unhappy sixteen-year-old girl to run away to her house, under the guise of a confidante who wants to help. Although the arrangement initially works, it soon becomes clear that for the young girl to stay and continue satisfying her needs, the older woman will have to employ immoral tactics. Manipulation, denial and co-dependency fuel what ultimately becomes a fractured dynamic that can only sustain itself for so long.

A Canadian production, Allure was shot in Montréal, Québec.

Allure, movie, poster,

Crew:

Producer:

Luc Déry
Kim McCraw

Associate Producer:

Élaine Hébert

Line Producer:

Jasmyrh Lemoine

Director:

Carlos Sanchez
Jason Sanchez

Screenwriter:

Carlos Sanchez
Jason Sanchez

Cinematographer:

Sara Mishara

Editor:

Jesse Riviere
Elisabeth Olga Tremblay

Composer:

Olivier Alary

Production Designer:

Emmanuel Frechette

Art Director:

Patrick Binette

Costume Designer:

Valérie Bélègou

Cast: Roles:

Evan Rachel Wood
Julia Sarah Stone
Denis O’Hare
Maxim Roy
Joe Cobden
Jonathan Shatzky
Yardly Kavanagh
Teresa Picciano
Lara Binamé
Nick Baillie
Michael Dozier
Max Laferriere
Kenny Wong
Julia Dawi

Laura Drake
Eva
William
Nancy
Benjamin
Skinny man
Office clerk #1
Office clerk #2
Waitress
Nancy’s boyfriend
Detective
Stocky Man
Guy with Laura
Swimmer #3

Vail Loves Mary

Vail Loves Mary, image,
Photo of Aya Cash provided by the Vail Film Festival.

Vail Loves Mary
by Staff

(April 4, 2018 – Toronto, ON) Regular readers know that with our main focus being Canadian film and television, we rarely pay attention to events south of the border or elsewhere. That doesn’t mean we ignore those areas, just that there’s little news that fits within our rather strict parameters. That said, we couldn’t help but notice an item from Colorado’s Vail Film Festival.

Yesterday organizers announced that the festival will honour Aya Cash with its 2018 Excellence in Acting award for her incredible work in the Canadian film Mary Goes Round and for her varied and nuanced performances in both film and television.

In 2015, Cash, who was born in San Francisco, received a Critics’ Choice Television Award nomination for Best Mary Goes Round, poster, movie,Actress in a Comedy Series for her lead role in the FX/FXX series You’re the Worst. Other credits include Brotherhood, Law & Order, Mercy, and The Newsroom. Cash was also a series regular in the 2011 Fox comedy Traffic Light.

In Mary Goes Round, written and directed by Molly McGlynn, Aya plays Mary, a substance abuse counselor who gets arrested for a DUI. She returns to her hometown of Niagara Falls and learns that her estranged father is dying of cancer. He wants her to form a bond with her teenaged half-sister that she’s never met.

“We’re excited to screen the Colorado Premiere of Mary Goes Round and to honor Aya Cash,” said Festival Director, Corinne Hara , “Our programming team fell in love with her honest, raw and heartfelt performance. Aya’s ability to make you laugh and cry in the same breath is a testament to her talent and dedication to her craft.”

Mary Goes Round is scheduled to screen at the festival this Friday, April 6 at 8:30pm. The Excellence in Acting award will be presented and on-stage followed by an interview with Aya Cash on Saturday, April 7 at 7:45pm. For more information about the 15th annual Vail Film Festival, click here.

Yvonne Pelletier

Yvonne Pelletier, actress,
This image of Yvonne Pelletier was scanned from
an original 11x14 photo in the
Northernstars Collection.

B: December 2, 1915 in Port Haney, British Columbia
D: May, 1984 in Warren, Rhode Island

Yvonne Pelletier was a child actress in the 1920s who made her first film when she was 11-years-old. She was in a few films in the 1930s and she made her last of just nine movies in 1938 when she was 23. She is pictured in an exclusive portrait by photographer Hal Phyfe for the iconic 1931 film Riders of the Purple Sage, for the Fox Film Corporation. The Northernstars Collection acquired the photo in 2018.

Features & TV Movies:
VR indicates Direct-to-Video Release

Bride of the Storm (1926)
Children of Divorce (1927)
The Crystal Cup (1927)

Young Sinners (1931)
Riders of the Purple Sage (1931)
Cradle Song (1933)
Lightning Triggers (1935)
The Last Train from Madrid (1937)
The Buccaneer (1938)

TJFF Announces Films

TJFF Announces Films, image,

TJFF Announces Films
by Staff

Organizers of the 2018 Toronto Jewish Film Festival (TJFF) have announced their opening and closing night films. This year’s festival kicks off on May 3rd with a screening of the Eric Barbier drama Promise at Dawn. Ten days later, on May 13h, the festival will close with a portrait of iconic US Supreme Court Justice Ruth Bader Ginsburg in a documentary by co-directors Betsy West and Julie Cohen simply titled RBG. Both films are Toronto premieres.

“We are thrilled to have these two films open and close the festival, both of which present true and inspiring stories that need to be shared with audiences on the big screen.” said Stuart Hands, Programme Director, Toronto Jewish Film Festival.


Promise at Dawn is an adaptation of the extraordinary life of French writer and military hero Romain Gary, based on Gary’s own memoir. Delivering multi-layered performances, Charlotte Gainsbourg (Melancholia) and Pierre Niney (Yves Saint Laurent) headline this story of a man driven to greatness while in search of maternal approval. The TJFF Announces Films, image,sweeping narrative moves from Gary’s impoverished childhood in Poland, to his adolescence in Nice to his years as a student in Paris and his tough training as a pilot during World War II. Gary was, by the way, one of the most famous French novelists and sole writer to have won the Goncourt Prize for French literature twice. The feature runs two hours and ten minutes and the large cast includes Didier Bourdon, Catherine McCormack and Finnegan Oldfield. The screening will be followed by a Skype Q&A with director Eric Barbier.
TJFF Announces Films, image,
The focus of the closing night film is Ruth Bader Ginsburg, who is both a legal legend and pop culture icon, affectionately referred to as “the Notorious RBG.” In the revelatory documentary, Betsy West and Julie Cohen trace her journey from law school to the Supreme Court, weaving home movies, archival footage and interviews with her friends, children, granddaughter and Ginsburg herself. The screening on May 13th will be followed by a Skype Q&A with co-director Julie Cohen.

The 2018 lineup, schedule and ticket pricing information will be available online at TJFF.com as of April 16. Early Bird Special passes are available now and will continue to be available until April 13. Single tickets go on sale on April 20. Box office information and tickets are available online or by phone at 416-324-9121.

A Writer’s Life & Award Shows

A Writer's Life & Award Shows

A Writer’s Life & Award Shows
by Jim Slotek

(April 2, 2018 – Toronto, ON) It is my dream to someday be a contestant on Jeopardy. Alas, that is unlikely, because I once had a gig writing jokes for Alex Trebek.

No, that isn’t some form of punishment by the production for being an enabler (as any Jeopardy fan knows, Alex is convinced, against all the video evidence, that he’s a funny guy). It’s simply a conflict of interest because I was a writer on the NHL Awards for three of its years in Toronto (it’s now produced in Las Vegas), and he was a host of one of those.

Though I continued to be a fulltime writer for the Toronto Sun at the time, I had what is these days called a “side hustle” as a writer of award shows. I did those three NHL Awards. I wrote a Gemini Awards (I was nominated for a writing Gemini while writing for the Geminis – Canadian showbiz can be quite a log-rolling exercise). I wrote the National Rock Awards (a national syndicated version of Toronto station Q-107’s Q Rock Awards). I did (and still do) write industry awards for Canadian Music Week.

That represents an awful lot of celebrity interaction, both Canadian and American. But it’s never been a prestige job. Canadian awards shows typically get roundly trashed in reviews. Perhaps no review has ever been as scathing as the Globe and Mail’s take, by TV critic John Doyle, on this year’s Canadian Screen Awards.

To wit: “smug, boring, long-winded and hopeless… unfunny, insipid, hopelessly earnest and amateurish…”


”Seriously, is it so hard to even find an outfit that fits the co-host of the big gala? (Murdoch Mysteries’) Jonny Harris spent the night in an ill-fitting, over-large white dinner jacket that looked like something he’d grabbed quickly at Value Village to wear to a cousin’s wedding at some banquet hall out on the highway.”


And all that’s only four paragraphs in.

The Junos, a few weeks later, received kinder reviews. There was warmth over the Barenaked Ladies’ reunion and the tribute to The Tragically Hip’s Gord Downie. Host Michael Bublé even announced on live TV that he and his wife were having a baby. Only the flintiest heart would rain on that parade.

But in the ‘90s on the Geminis, the predictability of bad reviews was such that we even had a pre-written bit within the show where we visited the press room and got slammed while the show was happening. We got good laughs.

Still, my experiences working on Canadian awards shows were priceless. On those Geminis, I got to sit down with Mike Myers and Eugene Levy and collaborate on what they’d say as presenters. Wayne’s World had just come out to a bazillion dollars of box office, so we had Levy pretend he didn’t know about it. (“So, I haven’t seen you in a while, Mike. Ya workin’?”)

My best memory of Alex Trebek as an NHL Awards host was a bit I wrote for him and “player co-host” Doug Gilmour, where Alex asks mid-show how he likes co-hosting. “It’s like playing,” sez The Killer. “You stay within yourself and go out and give 110%.” To which Alex shook his head and said, “That has always bugged me about athletes. It is impossible to give more than 100%.”

“What do you mean?” Gilmour said.

I had Alex put up one hand straight out. “Here’s 100%” He then offered his other hand. “Here’s you.” And in an upward motion, he kept slapping one hand against the other. “You could never go higher than 100%!” To which Gilmour responded. “You could never play for Pat Burns.”

The only reason I mention that lame bit is that Alex so loved it, that he spent the entire day practicing slapping his hands together.

The National Rock Awards were hosted by Weird Al Yankovic and the late Jeff Healey, as odd a pairing as there could be. Both great guys, though. Jeff encouraged me to write blind jokes for him – almost all of which were spiked by the producers, to his annoyance.

My most vivid memory of the event: having to help basically carry then-heavy-drinker David Carradine to his limo at the end of the night. Earlier, during his appearance onstage as a presenter, the star of the Canadian-produced Kung Fu: The Next Generation threw a flying kick at Weird Al that missed his nose by about a millimeter.

The late Leslie Nielsen gave me the single best demonstration of a pro in action as host of the Canadian Radio Music Awards at Canadian Music Week (basically a rookie-of-the-year awards luncheon for new bands, based on airplay).

Nielsen arrived from L.A. late the night before, and I wrote a last-minute monologue for him. This was about 2000, and the premise was that he’d left Canada in the early ‘80s, so his idea of up-and-coming Canadian bands stopped at Martha & The Muffins, Luba and Men Without Hats.

I wasn’t sure it would work, but I got there as he was eating his dessert. He put on his glasses, looked it over, said, “Yep,” and “Uh huh,” a few times as he flipped pages, and finally said, “I get it.” And that was the extent of our exchange.

He then got up onstage with those couple of pages I’d written for him and read them out with unbelievable comic timing, pauses and sublime deadpan, as if he really was oblivious. The audience was screaming. I was proud of having written the instrument he played so beautifully for a simple industry event.

It wasn’t the kind of awards show that ended up getting reviewed in the papers, but if it had and had been panned, I would have written an angry letter to the editor. Of course, that would have been a conflict of interest.

Northernstars logo imageJim Slotek is a longtime Toronto Sun columnist, movie critic, TV critic and comedy beat reporter who has interviewed thousands of celebrities. He’s been a scriptwriter for the NHL Awards, Gemini Awards and documentaries, and was nominated for a Gemini Award for comedy writing on a special. His writing also appears in Cineplex, Movie Entertainment magazines and in the blog Original-Cin.

Un 32 août sur terre

Un 32 août sur terre, movie, image,
This image was scanned from an original still set in the Northernstars Collection.

88 minutes – Drama
Festival release date: 1998 (Cannes)
Release date: February 11, 1999 (Québec)
Production Company: Max Films
Canadian Distributor: France Film/Red Sky

On August 32nd everything changes for 26-year-old Simone Prevost (Pascale Bussieres). After a frightening car accident, she is faced with her own mortality and solitude. With the realization that “No one is eternally eternal,” she quits her interna­tional modelling career, cancels a trip to Italy, and embarks full force on her new­found mission: to have a child. Despite his lifelong attraction to her, her best friend Philippe is taken aback by Simone’s request that he be the father. But, bound by a naive promise made earlier, he reluctantly agrees – on the absurd random condition that they conceive in a desert. Amused, but not to be deterred, Simone quickly arranges flights to the nearest desert: Salt Lake City. Alas, the salt desert, despite its awesome majesty, does not inspire their passions. Hipped off and abused further by a cabbie, Simone and Philippe are abandoned in the middle of a seemingly endless expanse of desert. As if that is not enough, they are further tested by an event that will contin­ue to haunt Simone. By the time they return to the airport they have missed their flight. The failed spontaneity of the moment weighs heavily on Philippe, and his about­face may prove catastrophic to their rela­tionship. Their journey has permanently altered their lives. They are stuck in the fuzzy territory between romantic love and profound friendship. On September 5th, they come crashing down to reality.

Un 32 août sur terre screened in the Un Certain Regard section at the 1998 Cannes Film Festival. Alexis Martin won the Prix Jutra for Best Actor and The film was selected as the Canadian entry for the Best Foreign Language Film at the 71st Academy Awards, but was not nominated. This film marks Denis Villeneuve’s feature directorial debut and in its writeup of the film in 1998, TIFF stated Un 32 août sur terre “establishes him as an impressive new talent.”

No Poster Available

Crew:

Producer:

Roger Frappier

Director:

Denis Villeneuve

Screenwriter:

Denis Villeneuve

Cinematographer:

André Turpin

Editor:

Sophie LeBlond

Composer:

Pierres Desrochers
Nathalie Boileau

Art Director:

Jean Babin

Costume Designer:

Suzanne Harel

Cast: Roles:

Pascale Bussieres
Alexis Martin
Richard S. Hamilton
Serge Theriault
Emmanuel Bilodeau
Paule Baillargeon
Frederic Desager
Evelyne Rompré
Ivan Smith
Estelle Esse
Joanne Cote
R. Craig Costin
Marc Jeanty
Venelina Ghiaourov
Lee C. Fobert

Simone
Philippe
Taxi Driver- Salt Lake City
Car Driver
Best Friend
Doctor at the hospital
Stephane
Juliette
Doctor
Tanning Salon Receptionist
Monica
Rental Agent- Salt Lake City
Janvier
Nurse
Car Driver- Salt Lake City

Un 32 août sur terre

Un 32 août sur terre, movie, image,
This image was scanned from an original still set in the Northernstars Collection.

88 minutes – Drama
Festival release date: 1998 (Cannes)
Release date:
Production Company: Max Films
Canadian Distributor: France Film/Red Sky

On August 32nd everything changes for 26-year-old Simone Prevost (Pascale Bussieres). After a frightening car accident, she is faced with her own mortality and solitude. With the realization that “No one is eternally eternal,” she quits her interna­tional modelling career, cancels a trip to Italy, and embarks full force on her new­found mission: to have a child. Despite his lifelong attraction to her, her best friend Philippe is taken aback by Simone’s request that he be the father. But, bound by a naive promise made earlier, he reluctantly agrees – on the absurd random condition that they conceive in a desert. Amused, but not to be deterred, Simone quickly arranges flights to the nearest desert: Salt Lake City. Alas, the salt desert, despite its awesome majesty, does not inspire their passions. Hipped off and abused further by a cabbie, Simone and Philippe are abandoned in the middle of a seemingly endless expanse of desert. As if that is not enough, they are further tested by an event that will contin­ue to haunt Simone. By the time they return to the airport they have missed their flight. The failed spontaneity of the moment weighs heavily on Philippe, and his about­face may prove catastrophic to their rela­tionship. Their journey has permanently altered their lives. They are stuck in the fuzzy territory between romantic love and profound friendship. On September 5th, they come crashing down to reality.

Un 32 août sur terre screened in the Un Certain Regard section at the 1998 Cannes Film Festival. Alexis Martin won the Prix Jutra for Best Actor and The film was selected as the Canadian entry for the Best Foreign Language Film at the 71st Academy Awards, but was not nominated. This film marks Denis Villeneuve’s feature directorial debut and in its writeup of the film in 1998, TIFF stated Un 32 août sur terre “establishes him as an impressive new talent.”

No Poster Available

Crew:

Producer:

Roger Frappier

Director:

Denis Villeneuve

Screenwriter:

Denis Villeneuve

Cinematographer:

André Turpin

Editor:

Sophie LeBlond

Composer:

Pierres Desrochers
Nathalie Boileau

Art Director:

Jean Babin

Costume Designer:

Suzanne Harel

Cast: Roles:

Pascale Bussieres
Alexis Martin
Richard S. Hamilton
Serge Theriault
Emmanuel Bilodeau
Paule Baillargeon
Frederic Desager
Evelyne Rompre
Ivan Smith
Estelle Esse
Joanne Cote
R. Craig Costin
Marc Jeanty
Venelina Ghiaourov
Lee C. Fobert

Simone
Philippe
Taxi Driver- Salt Lake City
Car Driver
Best Friend
Doctor at the hospital
Stephane
Juliette
Doctor
Tanning Salon Receptionist
Monica
Rental Agent- Salt Lake City
Janvier
Nurse
Car Driver- Salt Lake City

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